This was made whilst I was on a photocamp at Morgan in South Australia's Riverland in November. The camp was for the Mallee Routes project and I was there with Gilbert Roe, a fellow collaborator on the project.
This was made whilst I was on a photocamp at Morgan in South Australia's Riverland in November. The camp was for the Mallee Routes project and I was there with Gilbert Roe, a fellow collaborator on the project.
The talk circa 2011 is that with the analogue-to-digital shift to the last decade, film has died and digital photography opens up new horizons. The symbolic events are the end of Kodachrome in 2010 and the blowing up of the Kodak film plants in both Rochester and Chalon-sur-Saône.
Whilst film aficionados lament a disappearing past, digital devotees are looking forward to endless expansion based on recycle, clip and cut, remix and upload.The argument is that it took the death of film to fully liberate the medium from the paradigms of painting.
This image was made with an old Leica film camera whilst I was staying in Tunbridge in the Tasmania Midlands in 2017.
I had just come back from spending several days photographing in Queenstown whilst Suzanne and her friend were walking in the Walls of Jerusalem National Park. We were staying at Tunbridge for a couple of days before we wen exploring the Tasman Peninsula.
King William Street, Adelaide, South Australia.
This picture is from 2011. It was made for the Adelaide book project that I was starting to work on.
In the nineteenth century the colonial narrative represented Central Australia negatively--it was a dangerous and hostile environment. It was the Australian Outback, and this was represented as being without economic potential a dead heart, arid and waterless, as a space of the 'other',
In the late 20th Australia represents Central Australia is seen positively. It becomes the Red Centre, a major desert tourist destination in the Northern Territory. The Red Centre in the tourist marketing brochures is the welcoming heart, the place of cultural significance, the site of the 'real' Australia, a site of unchanging beauty.
The tourist conception of the Red Centre primarily refers to Uluru, Kata Tjuta, Simpsons Gap, Glen Helen Gorge, Kings Canyon etc and the promotional images are those of a decorative pictoralism. The Tanami desert, which lies beyond the region of Australian Tourism's Red Centre, remains a space of the 'other': an empty land without a trace of culture.