walking Wellington

This is one of the pictures I made of the Clifton Car Park when I was in  Wellington, New Zealand  late last year after Suzanne and I had  walked the Tongariro Alpine Crossing.  We  spend the day after we returned to Wellington, and before we flew back to Adelaide,  checking out  some of my old haunts (Island Bay) when I  had lived (Evans Bay)  and worked in the city as an economist.   

I  enjoy walking Wellington. On this occasion I was walking in the  early in the morning before breakfast.  I'd seen the Clifton Car Park late the previous  afternoon and  I'd walked around it. I found it  a fascinating place to explore with a camera.

Murraylands: a snapshot

I was on my way to Canberra. It was early in the morning and I was  driving through the Murraylands  heading towards  Wellington  to catch the ferry  across the River Murray. The days journey was  to go to Talem Bend, travel  the Mallee Highway, and have an overnight stop at Hay in NSW. I was  hoping to take some photos of the exposed roots of the redgums along the Murrumbidgee for the Edgelands project. 

I was travelling alongside  Lake Alexandrina and it was the light and the colours that caught my eye.  So I  made a cliched 'on the road' photo with my decades old one lens/one camera. It is photography with a rangefinder camera. A spontaneous snapshot with its  trace of the real.  

Whilst making the photo I realised that the Leica rangefinder film camera is basically a relic  in a world of automation and algorithms; in a world where photography is now produced through a mathematical set of rules that work autonomously, without human interference and which are self-correcting. You press the button and the program takes over to produce a data set cheaply and easily.  Perfection.

photographic poetics at the Cotter River

This picture was made whilst I was on a photo trip to the Cotter River when I was in Canberra in mid-2015 whilst on a photoshoot with Judith Crispin:

It was here that I became away that it is  not about the accuracy of  representation  of the optical designs (the way that Leica choose to stay ahead of the competition and carve out a profile of excellence for their image).   Its a move away from   the metaphor of the lens is something we see with (a focusing or fiteringinstrrument), rather than something we look at to being  about the poetics of the situation in the here and now of  making a photo. 

That situation is a junction of acting forces and is in flux, is dynamic, and full of energy.  The poetics is a representation of the intensity and immediacy of our experience of that local moment in the context of the history of  that habitat. 

The Hay Plains

The Hay Plain in NSW is a space that people drive through on their way from Adelaide to Canberra or Sydney. It is treeless with scrubby saltbush, and it is commonly seen by those viewing it through their car windows  as a  flat,  barren, featureless  and bleak space--especially during the day in mid-summer.   I find this space fascinating as it is very atmospheric with the  changing light, clouds and rain.

 Hay is an overnight stop for me on the Adelaide and Canberra trip and I usually stop and take photos. This picture was made on a 2015 trip  to Canberra as I was driving into Hay on the Sturt Highway:   

The light was starting to fade and I only had the time to  quickly make  a couple  of photographs.  I stopped the car and wandered around whilst  the road trains roared past.  I noticed the bits of cotton moving over the  road and along the ground from the  wind and the road trains. I laid down on my stomach on the side of the road and made some snaps before the light went.  

at Adelaide airport

I'd flown into Adelaide from spending several days in Wellington,  New Zealand,  on a photo trip and I was waiting  for Suzanne to pick me  up. She had driven up from Victor Harbor to pick me up, but was running late as she  was battling the afternoon commuter traffic that was going to the southern parts of  the city and beyond to the coast.  

So I filled in the time by making some photos around the  airport.  The light was good. 

I was carrying  several different cameras with me from the trip, so I quickly played around with each of them as the  late autumn light was fading.  This is the Leica version. 

Kywong

This picture was made whilst I was travelling along  the Sturt Highway  from Adelaide to Canberra  for a photo shoot along the Cotter River:

I'd stopped to take some photos of a silo just past Wagga Wagga in NSW with  the 5x7 Cambo monorail. I then wandered around the site and I saw this history of times past  in rural Australia. 

The silos for the storage of grain  prior to rail transport to markets  closed down at the start of the 21st century.  The Kywong  branch line   of the Main Southern Railway line in NSW, which services Wagga Wagga,  closed down in 1975. The closure of the branch lines --eg., the Tocumwal branch line which closed around 1988-- is an indication of the emptying out of rural Australia. 

It's a sad history of broken dreams and landscape and place in the form of place attachment that is concerned with the symbolic meaning in early settler Australia.  Place attachment is the “emotional bonds that form between people and their physical surroundings. These are powerful aspects of human life that inform a  sense of identity, create meaning in the  lives of human beings,  facilitate community and influence action.  

Photography has the  ability to aid and create place attachments. Photography  is also  valuable for  interpreting the erosion of Aboriginal culture form the Australian landscape. The  19th century image-makers document the land as the British  immigrants settled it, thereby   helping create meaning for the settlers and establishes the land as virgin by not effectively including Aboriginals in their narratives.

Photography helped represent  the land as empty and by extension created a culture of ownership, plenitude and expanse   for white settlement and so covered up the destruction of Aboriginal place attachments for the place creation and subsequent attachment of thew white British  settlers.