This is a photo of a section of a tin wall in Myers Lane in Adelaide's CBD.
This wall was just opposite where I used to live in the city, which was in the process of change during the shift from an industrial to a postindustrial or information capitalism. Our image culture changes into a digital culture with this shift. This was a time of rapid technological change, due to the emergence of digital technologies, such as the computer, the mobile phone, the internet as a information superhighway, computer generated imagery, video surveillance in the shopping mall and the high tech Desert Storm of the Gulf War.
This is a photography of appearances, of the look of things, the ephemeral, the particular. It is an older way of seeing that is being dislodged by the post-photographic tendency in a digital culture to devalue and deny the representation of appearances and sight in favour of the emancipation of the image from its empirical moorings.
This was a time when one response to a digital culture and technology was the loss of the real and photographic truth. The views of computers generated imagery, it was held, would lose their ability to distinguish between the simulated or hyperreal world ( advertising ) and the real one. This was held to be a radical break with the past with its cherished certainties.