The pictures made with the film Leica are snapshots and, and as such, they belong to the tradition of the snapshot image culture. Traditionally, snapshot photography is one in which the images are almost always produced for and circulated within, the private realm, and its meaning and significance are imbedded in individual and rarely rational affective responses.
The snapshot tradition has been interpreted as a form of vernacular photography, and this culture is usually interpreted as pictures made by everyday folk about their everyday life; or more specifically, "the unself-conscious efforts of common people . . . to create satisfying patterns in the realities of everyday life.
This results in a gap between the unruly vernacular culture and the modernist, hermeticizing discourse of the art institution, with its emphasis on autonomy, authorship, uniqueness and universality.
This vernacular culture insists on lived experience, or a rhetoric of authenticity, works within specific social and cultural conventions, and emphasises personal narrative. For most of us, snapshots mean something because they preserve a memory, capture a moment, or depict a friend, family member or loved one. -These are the same themes that Kodak promoted for decades. From a personal point of view the significance of snapshot aesthetics often revolves around what we see and feel when viewing snapshots, rather than what they mean to art historians, curators, and collectors.